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The representative mask play in Indonesia
is Topeng handed down in Java, Bali, etc.
Besides, a mask play in Bali called Jauk occurred
in the 18th century, dramatizing the story
of Ramayana and Mahabharata. Another mask
play in Bali is Wayang Wong that dramatized
Ramayana.
¡®Wayang Topeng¡¯ came from mask dance that
began from shamanistic burial ceremonies and
coming-of-age celebrations in Java. Through
the stage of a mask play called ¡®King Wayang¡¯
in the 12th century, it was established in
the late 18th century. King Wayang originally
dramatized Indian epics <Ramayana> and
<Mahabharata> but spontaneous mask plays
emerged, dramatizing the story of Panzi, a
legend in Java, from the 14th century. Wayang
means a shadow (ghost), which in turn represents
ancestors' spirit. Topeng is a wooden mask
that plays the role of an important person
in the story.
King Wayang was a play performed in Court
but Wayang Topeng was spread among the people.
Wayang Topeng that developed among common
people was generally performed by those who
manipulated Wayang dolls and became a commercial
mask play before the independence of the country.
Performers earned their living by performing
in public places like streets and markets.
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Barong, a lion dance in Bali, Indonesia,
is based on a legend called Caronarang. In
the legend, an old witch Rangda represents
evil, manipulating evil spirits and she-devils
haunting at tombs and raising plagues at villages.
Barong is an imaginary animal that interrupts
what witch Rangda's does. Barong is a spiritual
beast, into which Saint Empu Baradah who mastered
spiritual arts transformed himself. The magical
power of Rangda and Barong is materialized
through masks. Rangda has two projecting cuspids,
wide-open eyes, a long red tongue hanging
down out of the mouth, human intestines around
the neck and long white hair running down
to the knees. As in Bukcheong Saja Nori, two
persons get inside the body of the lion in
Barong. The eyes are wide-open and sharp,
the face is burning red, and the whole body
is covered with golden hair with small mirrors
that reflect light even at slight movements,
which display the spiritual power of Barong.
The mask of Barong is the mixture of a lion
and a dragon. Concerning this, some scholars
maintain that Barong was imported later while
witch Rangda was indigenous to Bali and that
the concept of dragon was possibly introduced
from China and combined with the lion dance.
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